Welcome to AlwaysJKRowling.com! Your first and best source for everything about the woman behind the magic of Harry Potter, J.K. Rowling. Here you will find the latest news, pictures, videos and more on the "most famous writer in history"! Please feel free to contact us with any contributions or feedback. We hope you enjoy your stay and come back soon!

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The Anne Rowling Clinic (annerowlingclinic.com)
Founded in 2010 and opened in 2013, The Anne Rowling Regenerative Neurology Clinic at the University of Edinburgh provides out-patient care for patients with Neurodegenerative diseases as well as cutting edge research and clinical trials. 

Founded in 2005, Lumos provides help to institutionalized and disadvantaged children and works towards putting an end to the outdated social care systems, helping to move children from institutions to family-based care.

Gingerbread (gingerbread.org.uk):
Gingerbread, originally known as One Parent Families, has helped single parents and their children since 1918. J.K. Rowling has been an Ambassador of the charity for seven years and in 2007 took the honorary position as President.
The Latest

Fantastic Beast and Where To Find Them [Film]
Status: Now Playing In Theaters [Book Tickets: HERE]
Release Date: November 18, 2016

Harry Potter and the Cursed Child [Play]
Status: Now Playing in London [Book Tickets: HERE]
Release Date: July 31, 2016

Career of Evil
Status: Published
Release Date: October 20, 2015

Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination
Status: Published
Release Date: April 14, 2015

The Silkworm
Status: Published
Release Date: June 19, 2014

The Cuckoo's Calling
Status: Published
Release Date: April 04, 2013

The Casual Vacancy
Status: Published
Release Date: September 27, 2012

Status: Online
Release Date: July 31, 2011 (Beta testing)

The Tales of Beedle the Bard
Status: Published
Release Date: December 04, 2008

Fantastic Beasts & Where To Find Them; Quidditch Through The Ages
Status: Published
Release Date: March 12, 2001

Harry Potter Series
Status: Published
Release Date: June 30, 1997 - July 21, 2007
Always JK Rowling is an unofficial J.K. Rowling fan site that is not affiliated with J.K. Rowling, Scholastic Books, Bloomsbury Publishing or Warner Bros. Entertainment. All trademarks and copyrighted material are the property of their respective owners. We do not claim ownership in any of the pictures and/or content found here at the site or in the gallery. They belong to their rightful owners. This is a fansite made by fans, for fans. No copyright infringement is intended.

Always J. K. Rowling is happy to have author S.P. Sipal join us for this exclusive post which highlights her insights into Rowling’s writing style and how the Harry Potter books in particular have made their mark on modern literature. Sipal maintains the Harry Potter For Writers blog and has been a contributor to the Wizarding fandom for years, including appearances at both fan and academic conferences. Her popular book A Writer’s Guide To Harry Potter was recently re-released as an updated 5th anniversary edition, available in paperback and e-book from retailers everywhere. This fascinating guide, good for writers and curious readers, now includes Sipal’s  insight on both the new play and the upcoming screenplay for Fantastic Beasts and Where to Find Them, from a writer’s point of view. Enjoy this post and stay tuned for details on how you can win a copy of her guide along with a copy of Harry Potter and the Cursed Child!


Harry Potter: From Story to Myth

How One Woman’s Story Became a Generation’s Myth

Harry Potter started out as JK Rowling’s individual story. She conceived it, nurtured it, wrote it, submitted it for publication, and carefully revealed its mysteries for twenty-six years (having been inspired in 1990). Rowling is famous for having guarded the secrets of her world so tightly that her fans were surprised each time to read who lived, who died, and what Harry would have to do to defeat Voldemort.

But once a work is released into the wild, any author loses full control over their beloved newborn. We cannot regulate a reader’s opinion of our story, nor can we control how they reinterpret it and interact with it in their own way…as long as it remains legal.

Even with Rowling’s first concession of her wizarding world – when she accepted the film production deal – she still retained as much control as possible, more so than most authors faced with a film adaption. She insisted on a British cast, and though she may not have had contracted script approval in the early films, she definitely had script consultation.

Rowling achieved these concessions because she had clout. Fan clout. Almost since the inception of the series, her passionate readers engaged in innovative play with Harry and friends to heights rarely reached before in fandom. Fans flooded online forums as well as real world gatherings with fanfiction, fan art, wizard wrock, cosplay, and even musicals of their own creation.

Rowling encouraged her fans in these creative pursuits, such as with her earlier fansite award and praising fan parodies like “Dark Lord Funk,” while still retaining full control of her canon world. She even established Pottermore to self-publish her e-books while fully engaging her fans post-Potter (which, in retrospect, wasn’t exactly post).

But when a story creates such impact as Harry Potter, it achieves a life of its own and eventually outstrips the vision of the original author. From ancient myths that grew and varied as they spread across regions, to pseudo Shakespeare plays written to appeal to his fanbase, to the still popular parodies of Pride and Prejudice, stories that have deep emotional appeal last. Powerful stories, those that tap into the collective unconscious, have always been transformed by fans other than the original storyteller.

Thus, a story that has reached this mythic level loosens the reigns of one person’s control. Even myth makers of yore recognized the living essence of Story by allowing it to continuously grow and change. While the initial story may have been shaped by one individual, as it was recited orally from clan to clan and then village to village, new storytellers chimed in, adapting the emerging myth to accommodate the beliefs and times of the new audience.

Today, we have a similar transformation with comic books that continually add new characters and storylines written by fresh authors to adapt to changing times, and films that achieve such heights of popularity as Star Wars. The franchise even encourages the adaptions of its characters and plots through their licensing of books and comics from multiple authors. And, of course, fanfic has always embodied the transformative power of the fan’s engagement with the story.

For the first time with Potterdom, however, we have a new authorized story, a BOOK that is not written by the author herself. Rowling collaborated on the Cursed Child production, she may have written the original story the play is based on, and she likely read and approved every sentence of the script. But the script book we hold in our hands today, the one available to the public, was written by Jack Thorne. In reading it, you can tell the difference in style and tone from Rowling’s own work. Yet it is considered canon.

Harry Potter and the Cursed Child is thus a dramatic departure from everything that Rowling has released before. It is the first time she has sanctioned someone else in the creating of a new Potter story. Perhaps she is acknowledging that the baby she birthed and brought into this world has now achieved adulthood and seeks a life outside her home. We shall watch to see if it shall truly become a modern-day myth.

As in olden days, stories that made the jump to myth did so because they spoke to the shared dreams and universal truths across generations and cultures. By the evidence of fan passion and fan engagement from all ages and corners of the world, Harry Potter has definitely achieved mythic proportion. Now as his story is entering a new phase, of being retold by storytellers other than its author, we shall see if the Boy Who Lived will live eternally through generations to come as they spin their own versions of this contemporary myth.


S.P. Sipal is a writer, editor, and international speaker who has presented the material in A Writer’s Guide to Harry Potter for over a dozen years. Her writing workshops, school and college lessons, and numerous fan conference presentations have been met with enthusiasm and repeat requests. Having lived with her husband in his homeland of Turkey for several years, she is now back in North Carolina on their small farm with their two kids. You can find her on Twitter @HP4Writers, her website at SPSipal.com, and her blog at HarryPotterForWriters.com.